{"id":1225,"date":"2023-05-31T10:43:21","date_gmt":"2023-05-31T10:43:21","guid":{"rendered":"https:\/\/4t.lauder.hu\/?page_id=1225"},"modified":"2023-05-31T10:43:21","modified_gmt":"2023-05-31T10:43:21","slug":"melleklet-6-artistic-devices-harmadik-lepes-the-queens-gambit-b-gyerek-munkaja","status":"publish","type":"page","link":"https:\/\/summacum.lauder.hu\/index.php\/melleklet-6-artistic-devices-harmadik-lepes-the-queens-gambit-b-gyerek-munkaja\/","title":{"rendered":"Mell\u00e9klet 6. \u2013 Artistic devices: Harmadik l\u00e9p\u00e9s (The Queen\u2019s Gambit-B gyerek munk\u00e1ja)"},"content":{"rendered":"\n<figure class=\"wp-block-table\"><table><tbody><tr><td><strong>Interpret the meaning of various artistic choices related to the following:<\/strong><\/td><td><strong>Your notes<\/strong><\/td><\/tr><tr><td>Characters: Identify what the characters have in common, as well as how they differ. Explain how main characters change and grow throughout the season.<\/td><td>&nbsp;<\/td><\/tr><tr><td>Lighting: Analyze the ways in which lighting is used to convey emotion and communicate with the audience.<\/td><td>lihgting is often ambiguous and murky, implying, tension<\/td><\/tr><tr><td>Pacing: Decide if your series has a frenetic pace, a laid-back pace, or something in between those two extremes. Analyze how pacing impacts the story and the viewer.<\/td><td>The show is usually slow paced, presenting scenes that other shows leave out (eg: chess games are rarely skipped) never skipping for the sake of moving the plot, the show sits in scenes, and soakes in the tension.. We don&#8217;t see glimpses of scenes, they are usually played out until the end, The show only has two montages, and larger time skips (a couple of years, since this is also a coming of age show) happen &#8220;between episodes&#8221; so Betty doesn&#8217;t age significantly inside an episode.<\/td><\/tr><tr><td>Plot: Evaluate the plot. Does your series have an ongoing plot or a relatively new plot each episode? Distinguish between what are referred to in the business as A Plots, B Plots and C Plots<\/td><td>There isn&#8217;t necessarily a B plot (or C plot for that matter). There are multiple strands that reappear, inconsecutively, for example romance and romantic partners<\/td><\/tr><tr><td>Settings: Consider the setting. Is the setting static or does it frequently change? How does the setting impact the plot, tone, theme, and character.<\/td><td>The plot itself isn&#8217; strictly &#8220;tied&#8221; to a setting, rather the setting follows that characters, the show doesn&#8217;t give the sensation that they intentionally shot at as many or as few sets as possible. There are two main settings (based on duration and number of scenes): the orphanage, and the house Beth moves into when she gets adopted. But other places also bare significance, for example: hotels and convention that house tournaments.<\/td><\/tr><tr><td>Theme: regular themes like redemption, sacrifice, justice, transformation, etc.<\/td><td>skip if you&#8217;ve already talked about this, but can also add ones you have since discovered<\/td><\/tr><tr><td>Other visuals: single or multiple camera and why that matters to viewers<\/td><td>&nbsp;<\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Interpret the meaning of various artistic choices related to the following: Your notes Characters: Identify what the characters have in common, as well as how they differ. Explain how main characters change and grow throughout the season. &nbsp; Lighting: Analyze the ways in which lighting is used to convey emotion and communicate with the audience. lihgting is often ambiguous and murky, implying, tension Pacing: Decide if your series has a frenetic pace, a laid-back pace, or something in between those<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/summacum.lauder.hu\/index.php\/wp-json\/wp\/v2\/pages\/1225"}],"collection":[{"href":"https:\/\/summacum.lauder.hu\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/summacum.lauder.hu\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/summacum.lauder.hu\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/summacum.lauder.hu\/index.php\/wp-json\/wp\/v2\/comments?post=1225"}],"version-history":[{"count":1,"href":"https:\/\/summacum.lauder.hu\/index.php\/wp-json\/wp\/v2\/pages\/1225\/revisions"}],"predecessor-version":[{"id":1226,"href":"https:\/\/summacum.lauder.hu\/index.php\/wp-json\/wp\/v2\/pages\/1225\/revisions\/1226"}],"wp:attachment":[{"href":"https:\/\/summacum.lauder.hu\/index.php\/wp-json\/wp\/v2\/media?parent=1225"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}